For comparison’s sake, part three of the season 6 reunion logged 4.29 million viewers and the season 6 average was 3.87 million viewers. While the decline is troublesome, IMHO, Real Housewives of Atlanta still brings more viewers to Bravo than the others in the franchise. Case in point: this week’s episode of Real Housewives of New York attracted just 1.385 million viewers.
I’d say congratulations are in order, dear readers! Cheers to each one of you for making it through yet another extra-long season of Dance Moms with the always controversial Abby Lee Miller at the helm. Last night was the last reunion before Abby packs her bags and opens an ALDC franchise in Los Angeles. As always, executive producer Jeff Collins rules the sofa roost, but this time, the once silver fox has died his hair a special shade of carrot and gotten himself a spray tan. Fame, y’all!
Abby is the first one who joins Jeff on the stage, and he brings up her now contentious relationship with Holly. Abby feels Holly’s jealousy runs deep, and she believes that her dancers are a success because every last one of them is chasing Maddie’s fame. Nia’s turn will come, she admonishes. Jeff summons Holly to the couch, and Jeff shows footage of Abby lying about saying Maddie and Kalani were the only ones who would ever book jobs. Holly cites her frustrations stemming from Abby attacking the children to retaliate when she’s upset with the mothers. All Holly wants is for her daughter to be treated with respect, but Abby doesn’t care to try to repair their relationship. Holly has several fond memories with Abby that she holds dear, but Abby remains stone-faced. Thankfully, the girls take the stage to perform their Stomp the Yard group number inspired by Orange is the New Black. More dancing, less mindless bickering please!
It’s hard to imagine that Maddie Ziegler is only 12-years-old. The Dance Moms star has already experienced more than most of us do in a lifetime thanks to the popularity of her reality show and a decade-long dedication to dance. Despite all the upsides of fame (dancing with Sia at the Grammy Awards!), Maddie admits it’s also impacted her life in unfortunate ways – and sometimes she just wants to be a normal tween.
Anyone who has ever watched Dance Moms can attest that Maddie seems very mature for her age. In fact, for this in-depth interview with the Telegraph UK, Maddie is by herself with the interviewer as Melissa “pops in and out of the office” in between caring for MacKenzie who was sick back at their temporary apartment. (Maddie was also accompanied by a security guard who waited in the hall). Maddie is TWELVE!
The reality TV viewer numbers are in and ready to be analyzed. Teen Mom OG saw its third increase in a row with 1.855 million tuning in this week. The mid-season finale of Dance Moms garnered 1.451 million viewers, bringing the season five average to 1.57 million viewers. For comparison’s sake, the season four finale attracted 1.619 million and the season average was 1.84 million.
Last night’s Dance Moms was the second part of the Abby Lee Miller’s swan song in Pittsburgh before heading out to Los Angeles to open the West Coast ALDC studio. Of course, it wouldn’t be a finale if it wasn’t coming on the heels of a tween video showdown, and it’s certainly only fitting that Cathy and her Candy Apples were involved! Even better? We don’t have to sit through a pyramid…we can just head right into the competition.
With the other dancers involved in the various JUMP convention showcases, JoJo and Nia are the only ALDC members ready to compete. Despite Melissa’s tepid excuses for the team’s absence, Holly can’t help but think that something shady is going on to which she wasn’t privy. Jessalyn and Holly are confused as to why Abby double-booked her team (especially since Kendall and Kalani are supposed to have solos), but Kira and Jill play dumb. Cathy interrupts to question why half the group is MIA, and on cue, Abby arrives to ignore Cathy’s insults about her blobby, big hair. She wasn’t about to have her dancers miss out on the coveted time with master choreographers at the convention. Jessalyn is livid to learn that Abby texted the mothers whose daughters were involved, instructing them not to mention the scheduling conflict with her and Holly. “Shame on you,” admonishes Holly. As Abby and Holly scream at one another, Cathy takes great pleasure in watching the demise of the friendships crumbling in front of her. Jill scolds Holly for airing their dirty laundry in front of the Candy Apple moms, and her anger is only exaggerated by the fringe on her tacky jacket. Holly and Jessalyn storm off, realizing they are getting no support from their counterparts. Cathy cackles with delight, while relishing in Vivi’s starring role in the Candy Apple’s group routine.
Nia Frazier is the sweet-natured, hard-working fan-favorite on Dance Moms, even if her belligerent dance coach Abby Lee Miller doesn’t recognize her as the amazing person she is.
Nia recently released her first music video, Star In Your Own Life, which she worked on with Aubrey O’Day, and she doesn’t care whether Abby likes it or not, because she’s proud of herself! Nia also shares she’s remained close friends with her former teammates and co-stars Paige Hyland and Chloe Lukasiak, and that all the girls on the show support each other despite Abby’s attempt to cause friction.
It’s no surprise that Abby Lee Miller has let her fame go to her head, but now she’s treating Dance Moms producers the same way she treats her dancers and their mothers! Abby is blaming producers for the show’s constant conflicts and arguing lamenting they don’t respect her or the cast.
Abby went on a tirade against producers, calling them “morons” and if they don’t change their ways, she wants them to change their jobs. In true vitriolic Abby fashion she refused to take accountability for the negativity of Dance Moms, and accused producers of destroying it by faking conflicts and issues on the show. Which is the ultimate insult for Abby who declares she is fully capable of berating mothers and dancers without producer assistance.