Hunter Schafer brought an experimental edge to the Met Gala after-party scene. The actress stepped out in a custom Steve O Smith micro minidress that blurred the line between fashion and art. Known for pushing boundaries with her style, Schafer’s look felt both playful and well-crafted. It was perfectly suited to the after-hours energy of the night.
Hunter Schafer styles a plunging see-through Steve O Smith dress for Met Gala after-party
The dress was crafted from sheer, lightweight tulle, forming a delicate, ballerina-like silhouette with a flirty tutu-style skirt. At first glance, the piece felt delicate and simple, but a closer look revealed its striking contrast. It was filled with black, abstract appliqués that resembled hand-drawn scribbles, as noted by Harper’s Bazaar. These were layered across the fabric, creating a shadow-like illusion against her pale skin.
This technique is the signature of the London-based designer who crafted the dress. It involves cutting out sketch-like shapes and stitching them directly onto the garment. Thus giving the dress a raw, unfinished look. The plunging neckline and sheer construction added a daring touch. The scattered black forms didn’t just decorate the dress; instead, they shaped it.
Schafer styled the look with a small yellow handbag that featured a strap. This added a pop of color that broke up the monochrome palette of the outfit. She finished it off with classic Christian Louboutin pumps. Her hair remained in the soft, loose waves she wore earlier at the main red carpet event.
For the Met Gala itself, Schafer wore a custom Prada gown inspired by Gustav Klimt’s portrait of Mäda Primavesi, making this outfit change feel like a complete shift. The first one is artistic and elegant, while the second one is something more abstract and deconstructed. This also proved how she can easily carry two different vibes on the same night.
Originally reported by Viha Shah on The Fashion Spot.
