Brooks Nader went braless in her fully see-through Zuhair Murad gown at the amfAR Gala Cannes 2026. Her look was a sultry, high-fashion take on classic red carpet glamour, balancing structured, graphic lines with ethereal, flowing elements. Earlier this week, she attended the festival in a Georges Chakra gown.
Brooks Nader boldly goes braless under completely see-through Zuhair Murad gown
Brooks Nader wore a floor-length black gown from Zuhair Murad for the star-studded event. A high, mock-neck collar anchored an intersecting crossover halter design, creating a bold geometric cutout just below the throat and a deep, plunging V-neckline. Further, the bodice featured drapery and sheer panelling, with fine tulle delicately ruched across the bust to create a translucent effect, amplified by the absence of a bra.
From the gathered waist, the dress flows into a voluminous, floor-sweeping A-line skirt made of the same sheer fabric. The mock collar extended behind and fell in a panel resembling a cape-like detail. The skirt, along with the back panels, added movement and drama to her look. Meanwhile, the subtle interplay of light and shadow across the lower half of her dress lent the otherwise heavy palette a weightless, romantic feel. She paired the gown with classic black strappy heels, maintaining the monochromatic colour story.
Nader kept her styling minimal to keep the focus on the intricate design of her dress. There were a few statement cocktail rings on her manicured hands. Her hair was styled in an effortlessly undone, voluminous updo with face-framing, blonde tendrils and a center part. The soft, romantic hairstyle balanced the sharpness of the gown’s neckline. Meanwhile, her makeup featured a smoky eye paired with a structured brow and a soft, matte mauve lip.
For her previous appearance at Cannes, the “Love Thy Nader” star wore a gorgeous Georges Chakra gown featuring a lace overlay construction. She paired the dress with several jewelry pieces from Chopard.
Originally reported by Ankita Shaw on theFashionSpot.
